Rapture, No. 3, 2015
Acrylic on canvas
200 x 125 cm

Similar to Rapture, No, 2, the painting continues the same technique of applying layers of colors in a pointillistic manner, with an intention of creating movement or energy, versus a static figure. The hills and valleys dance like moving particles, reminiscent of DNA/Chromosome structures.

Artwork is on private display at Mckay Williamson